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Movie Review: 'From Up On Poppy Hill'

RENEE MONTAGNE, HOST:

And from Japan comes this creation, the new animated film "From Up on Poppy Hill." It marks the first collaboration of a celebrated father, the Oscar-winning director of "Spirited Away," and his son.

Kenneth Turan has this review.

KENNETH TURAN: "From Up on Poppy Hill" is stunning, as beautiful a hand-drawn animated feature as you are likely to see. It's a time machine dream of a not-so-distant past, a sentimental story of young love that has the great Hayao Miyazaki doing the writing and his son Goro in the director's chair.

The Miyazakis time machine takes us to the bustling Japanese city of Yokahama in 1963.

(SOUNDBITE OF MOVIE, "FROM UP POPPY HILL")

MASAMI NAGASAWA: (as Umi) In some places, you can tell what time of year it is by which flowers are in bloom. In Yokahama, it's which boats you see passing through the harbor. We have a great view of the boats from my house on Poppy Hill.

TURAN: That's high school junior Umi, the latest in the line of resourceful young women who feature in many Hayao Miyazaki films. With her father lost at sea and her mother studying in America, Umi has to keep an eye on her two younger siblings while helping run the family boarding house and doing well in school.

Despite all this, Umi finds time each morning to mysteriously run two signal flags up the flagpole facing the harbor outside her hillside home. At school, she's attracted to a young man who is involved in rescuing an enormous old building that the boys use as a club house, for extracurricular activities like a ham radio club.

(SOUNDBITE OF MOVIE, "FROM UP POPPY HILL")

UNIDENTIFIED MAN #1: (As character) CGU, This is OM 4SMKK.

UNIDENTIFIED MAN #2: (As character) Thanks, OM.

UNIDENTIFIED MAN #1: (As character) We are high school students from Japan.

TURAN: This film's overriding theme is the importance of the past, the notion that you can't move into the future without knowing and respecting it.

(SOUNDBITE OF MUSIC, "SUKIYAKI")

TURAN: "From Up on Poppy Hill" may be sweetness itself with a pop soundtrack including 1963's chart-topping hit "Sukiyaki." But that doesn't mean it doesn't have some serious stuff on its mind.

(SOUNDBITE OF SONG, SUKIYAKI)

KYU SAKAMOTO: Uewo muite arukou, Namida ga koborenaiyouni, omoidasu haru...

MONTAGNE: Kenneth Turan reviews movies for MORNING EDITION and the Los Angeles Times.

(SOUNDBITE OF SONG, SUKIYAKI)

SAKAMOTO: (Singing) ...hitoribocchi no yoru...

MONTAGNE: You're listening to MORNING EDITION from NPR News. Transcript provided by NPR, Copyright NPR.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

Kenneth Turan is the film critic for the Los Angeles Times and NPR's Morning Edition, as well as the director of the Los Angeles Times Book Prizes. He has been a staff writer for the Washington Post and TV Guide, and served as the Times' book review editor.

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SOMOS CONNECTICUT is an initiative from Connecticut Public, the state’s local NPR and PBS station, to elevate Latino stories and expand programming that uplifts and informs our Latino communities. Visit CTPublic.org/latino for more stories and resources. For updates, sign up for the SOMOS CONNECTICUT newsletter at ctpublic.org/newsletters.

SOMOS CONNECTICUT es una iniciativa de Connecticut Public, la emisora local de NPR y PBS del estado, que busca elevar nuestras historias latinas y expandir programación que alza y informa nuestras comunidades latinas locales. Visita CTPublic.org/latino para más reportajes y recursos. Para noticias, suscríbase a nuestro boletín informativo en ctpublic.org/newsletters.

The independent journalism and non-commercial programming you rely on every day is in danger.

If you’re reading this, you believe in trusted journalism and in learning without paywalls. You value access to educational content kids love and enriching cultural programming.

Now all of that is at risk.

Federal funding for public media is under threat and if it goes, the impact to our communities will be devastating.

Together, we can defend it. It’s time to protect what matters.

Your voice has protected public media before. Now, it’s needed again. Learn how you can protect the news and programming you depend on.