
Kiana Fitzgerald
Kiana Fitzgerald is a freelance music journalist, cultural critic, and DJ. She writes for the world from deep in the heart of Texas.
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This year's AfroPunk Festival in Brooklyn features artists who are expanding the universe of punk and ideas about who belongs there.
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The Chicago rapper's new mixtape, Coloring Book, walks a line between the secular and the religious, bringing gospel sounds to listeners who may not have darkened the doors of a church in a while.
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The Brooklyn rapper-producer's latest instrumental album is evenly weighted from front to back. There's never an off moment — or even a precarious one.
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The story she's telling this time, that of a woman wronged, is universal, but the way she's delivered it is a crystal-clear representation of the black female experience.
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The R&B stalwart has long vibrated on a different wavelength than do his contemporaries; in a turbulent, bruising world, he's stayed rock-steady.
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Out of nowhere, Kendrick Lamar dropped a new record this week, called untitled unmastered. Reviewer Kiana Fitzgerald says that listening to these demos "feels like we're playing catch-up."
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Smith has a steady, well-trained swell of a voice and a knack for whipping in and out of his falsetto in a hairsbreadth. He doesn't feel the need to hide — certainly not by stifling his vocal skills.
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Teeming with stream-of-consciousness scatting, ethereal exploration and frenetic features, the beauty of the producer-composer's debut lies in its carefully orchestrated ebb and flow.
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The new album from R&B's resident provocateur is the embodiment of what she has always contended as an artist: that she can't be molded to fit inside one genre.